Cantar alla Viola & Fernando Marin - Segreti accenti: Italian Renaissance Music (2018)
BAND/ARTIST: Cantar alla Viola, Fernando Marin
- Title: Segreti accenti: Italian Renaissance Music
- Year Of Release: 2018
- Label: Quartz
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:06:47
- Total Size: 300 mb
- WebSite: Album Preview
Tracklist
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01. Aura soave
02. Amor tien il suo regno
03. Se mai vedete amanti
04. Mort m'a privé à 4
05. Amor, l'mi lamento
06. Villanelle, Book 1: Lasso non è cor mio ch'io ti rimiri
07. Io vorrei Dio d'amore
08. Villanelle, Book 1: Con la fronte fiorita e i crin'ardenti
09. Villanelle, Book 1: Al primo vostro sguardo
10. Dicemi la mia stella
11. Ricercare No. 2
12. Ogni diletto
13. Altro non è'l mio amor
14. O primavera
15. Alma che fai, che pensi
16. Le rose, fronde e fiori
17. Ahime che col fuggire
18. Ricercare No. 7
19. Chavalcando con un Giovine Accorto
20. Madonna io mi consumo
21. Ch'io non t'ami cor mio
Composers
Canova da Milano, Francesco (1497-1543)
Cavazzoni, Girolamo (c.1515-c.1580)
Cavazzoni, Marco Antonio (c.1485-1569)
Crecquillon, Thomas (c.1490-1557)
Festa, Constantius (1490-1545)
Firenze, Andrea da (d. 1415)
Luzzaschi, Luzzasco (1545-1607)
Marenzio, Luca (1553/4-1599)
Piero, Magister (c.1300-50)
This CD is dedicated to one of the most esteemed musical practices of the Renaissance: the art of accompanying the voice with the viola da gamba. Cantare alla viola (singing with a viol) is the name for this practice which was quite common at the time. The art of this practice lies in the ability of the 'viola' player to arrange and play madrigals to accompany one single voice, as a lutenist or vihuela player commonly does. Cantar alla Viola has careful selected some of the finest pieces of the Italian Renaissance in order to illustrate the intimate and skillful musical practice of Cantare alla viola. The pieces vary from the subtle and transparent trecento 2-voice ballades of Magister Piero and Andrea da Firenze played on the viella, to the exquisite and virtuous madrigals for one soprano by Luzzascho Luzasschi, accompanied by the viola da gamba. The Renaissance villanelle and 3-voice madrigals by Luca Marenzio and Costanzo Festa, are adapted for the polyphonic playing of two different bowed vihuelas. Solo pieces have been added to the disc to show the instrumental practice on a bowed vihuela through arrangements of lute and keyboard pieces by composers such as Marco Antonio Cavazzoni or Francesco da Milano.
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01. Aura soave
02. Amor tien il suo regno
03. Se mai vedete amanti
04. Mort m'a privé à 4
05. Amor, l'mi lamento
06. Villanelle, Book 1: Lasso non è cor mio ch'io ti rimiri
07. Io vorrei Dio d'amore
08. Villanelle, Book 1: Con la fronte fiorita e i crin'ardenti
09. Villanelle, Book 1: Al primo vostro sguardo
10. Dicemi la mia stella
11. Ricercare No. 2
12. Ogni diletto
13. Altro non è'l mio amor
14. O primavera
15. Alma che fai, che pensi
16. Le rose, fronde e fiori
17. Ahime che col fuggire
18. Ricercare No. 7
19. Chavalcando con un Giovine Accorto
20. Madonna io mi consumo
21. Ch'io non t'ami cor mio
Composers
Canova da Milano, Francesco (1497-1543)
Cavazzoni, Girolamo (c.1515-c.1580)
Cavazzoni, Marco Antonio (c.1485-1569)
Crecquillon, Thomas (c.1490-1557)
Festa, Constantius (1490-1545)
Firenze, Andrea da (d. 1415)
Luzzaschi, Luzzasco (1545-1607)
Marenzio, Luca (1553/4-1599)
Piero, Magister (c.1300-50)
This CD is dedicated to one of the most esteemed musical practices of the Renaissance: the art of accompanying the voice with the viola da gamba. Cantare alla viola (singing with a viol) is the name for this practice which was quite common at the time. The art of this practice lies in the ability of the 'viola' player to arrange and play madrigals to accompany one single voice, as a lutenist or vihuela player commonly does. Cantar alla Viola has careful selected some of the finest pieces of the Italian Renaissance in order to illustrate the intimate and skillful musical practice of Cantare alla viola. The pieces vary from the subtle and transparent trecento 2-voice ballades of Magister Piero and Andrea da Firenze played on the viella, to the exquisite and virtuous madrigals for one soprano by Luzzascho Luzasschi, accompanied by the viola da gamba. The Renaissance villanelle and 3-voice madrigals by Luca Marenzio and Costanzo Festa, are adapted for the polyphonic playing of two different bowed vihuelas. Solo pieces have been added to the disc to show the instrumental practice on a bowed vihuela through arrangements of lute and keyboard pieces by composers such as Marco Antonio Cavazzoni or Francesco da Milano.
Year 2018 | Classical | FLAC / APE
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