Basic House - I'm Not a Heaven Man (2017)
BAND/ARTIST: Basic House
- Title: I'm Not a Heaven Man
- Year Of Release: 2017
- Label: Sores
- Genre: Electronic, Ambient
- Quality: 320 Kbps
- Total Time: 58:22 min
- Total Size: 134 MB
- WebSite: Album Preview
Tracklist:
1. I'm Not A Heaven Man 04:11
2. Mothers Skull 08:12
3. Teenage Dog 10:10
4. Oort Cup 02:32
5. Soft Cores 04:10
6. Perishing 05:43
7. Better Alone (Or In A Small Group) 05:46
8. Green Dome (Bottomless) 12:12
9. Larque #3 05:56
1. I'm Not A Heaven Man 04:11
2. Mothers Skull 08:12
3. Teenage Dog 10:10
4. Oort Cup 02:32
5. Soft Cores 04:10
6. Perishing 05:43
7. Better Alone (Or In A Small Group) 05:46
8. Green Dome (Bottomless) 12:12
9. Larque #3 05:56
'I'm Not A Heaven Man' is label bossman Stephen Bishop aka Basic House's second album, following the issue of his 'Ambrosias Vol.1' for Norway's boutique Koppklys imprint, and sketches an often bleak soundworld streaked with cryptic chiaroscuro electro-acoustics, ritualist drone, edge-of-the-planet ambience and tape-ground industrial house patterns.
At times it recalls an opiated, sleep-paralysed version of Andy Stott, maybe a darker adjunct to the frayed and abstract environs of Aaron Dilloway, or a more diffuse Thought Broadcast, especially in the deconstructed warehouse interzone of 'Teenage Dog', the sludgy lilt of 'Perishing' or the submerged digital scree of 'Green Dome (Bottomless)'.
But ultimately there's something more elusive, a haptic appreciation of grain and space that we can't place our finger on and should keep us returning to this gem gone 3am when nothing else will fit the atmosphere of glowing computer screen, creaking house timbers and EVP hallucinations.
At times it recalls an opiated, sleep-paralysed version of Andy Stott, maybe a darker adjunct to the frayed and abstract environs of Aaron Dilloway, or a more diffuse Thought Broadcast, especially in the deconstructed warehouse interzone of 'Teenage Dog', the sludgy lilt of 'Perishing' or the submerged digital scree of 'Green Dome (Bottomless)'.
But ultimately there's something more elusive, a haptic appreciation of grain and space that we can't place our finger on and should keep us returning to this gem gone 3am when nothing else will fit the atmosphere of glowing computer screen, creaking house timbers and EVP hallucinations.
Year 2017 | Electronic | Ambient | Mp3
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