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Tom Waits - Blue Valentine (1978) Vinyl-Rip 32/96

Tom Waits - Blue Valentine (1978) Vinyl-Rip 32/96

BAND/ARTIST: Tom Waits

  • Title: Blue Valentine
  • Year Of Release: 1978
  • Label: Electra / Asylum Records
  • Genre: Rock, Blues
  • Quality: WavPack (image+.cue) 32/96
  • Total Time: 49:51
  • Total Size: 1,13 Gb
  • WebSite:
Tracklist:

Blue Valentine [Asylum Records K 53 088]

Side One
1. Somewhere (From West Side Story)
2. Red Shoes by the Drugstore
3. Christmas Card from a Hooker in Minneapolis
4. Romeo Is Bleeding
5. $29.00

Side Two
1. Wrong Side of the Road
2. Whistlin" Past the Graveyard
3. Kentucky Avenue
4. A Sweet Little Bullet from a Pretty Blue Gun
5. Blue Valentines

Personnel:
Vocals - Tom Waits
Electric Guitar - Tom Waits, Ray Crawford, Roland Bautista, Alvin "Shine" Robinson
Bass - Scott Edwards, Jim Hughart, Byron Miller
Piano - Da Willie Gonga (George Duke), Harold Battiste, Tom Waits
Organ - Charles Kynard
Tenor Saxophone - Herbert Hardesty, Frank Vicari
Drums - Rick Lawson, Earl Palmer, Chip White
Congas - Bobbye Hall Porter "Romeo Is Bleeding"'1'
Orchestra - Bob Alcivar

Garrard 401-ORTOFON 212S-Ortofon SPU Sinergy
EAR 834P
RME Fireface 400

Two welcome changes in style made Blue Valentine a fresh listening experience for Tom Waits fans. First, Waits alters the instrumentation, bringing in electric guitar and keyboards and largely dispensing with the strings for a more blues-oriented, hard-edged sound. Second, though his world view remains fixed on the lowlifes of the late night, he expands beyond the musings of the barstool philosopher who previously had acted as the first-person character of most of his songs. When Waits does use the first-person, it's to write a "Christmas Card From a Hooker in Minneapolis," not the figure most listeners had associated with the singer himself. The result is a broadening of subject matter, a narrative discipline that makes most of the tunes story songs, and a coherent framing for Waits' typically colorful and intriguing imagery. These are not radical reinventions, but Waits had followed such a rigidly stylized approach on his previous albums that for anyone who had followed him so far, the course correction was big news.


Download:

Part 1:

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Part 2:

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Part 3:

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