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Maya Beiser - TranceClassical (2016)

Maya Beiser - TranceClassical (2016)

BAND/ARTIST: Maya Beiser

  • Title: TranceClassical
  • Year Of Release: 2016
  • Label: Innova
  • Genre: Classical
  • Quality: 320 kbps
  • Total Time: 65:40
  • Total Size: 151 MB
  • WebSite:
Tracklist:

01. Maya Beiser – Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") (Arr. M. Beiser for Cello And Electronics) (5:05)
02. Maya Beiser – All Vows (9:22)
03. Maya Beiser – Hide and Seek (Arr. M. Beiser for Voice, Cello And Electronics) (5:08)
04. Maya Beiser – Three Parts Wisdom (10:40)
05. Maya Beiser – Heroin (Arr. D. Lang for Voice, Cello And Electronics) (9:34)
06. Maya Beiser – Emunah (8:01)
07. Maya Beiser – Kol Nidrei (7:49)
08. Maya Beiser – Hellhound (6:15)
09. Maya Beiser – O Virtus Sapientae (Arr. M. Beiser for Cello And Electronics) (3:47)

Maya Beiser, the "reigning queen of the avant-garde cello" (The Washington Post), presents this new release, TranceClassical. A very personal project, Maya says of this album, "TranceClassical started from a washed-out still photo in my mind- me, as a little girl curled with a blanket on my parents' sofa, hearing Bach for the first time, hanging on to every mysterious note coming out of the scratchy LP... the pieces I bring here give me a sense of trance- a reverie and meditation on his place in my heart." A varied program, the album opens with Maya's interpretation of Bach's Air on G, in which she channels the sound of an old vinyl record, spinning on some far-off turntable. Especially notable are Maya's arrangements of Imogene Heap's Hide and Seek and Hildegard von Bingen's O Virtus Sapientiae. "With virtuoso chops, rock-star charisma, and an appetite for pushing her instrument to the edge of avant-garde adventurousness, Maya Beiser is the post-modern diva of the cello." (The Boston Globe)

"Beiser plays with time and memory. She turns the clock back to her childhood - to the days of snuggling with a blanket on the sofa, hearing Bach's music for the first time off a scratchy old LP." --Tom Huizenga, NPR Music, June 23, 2016






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