Scherzi Musicali & Nicolas Achten - Bertali: La Maddalena (2016)
BAND/ARTIST: Scherzi Musicali & Nicolas Achten
- Title: Bertali: La Maddalena
- Year Of Release: 2016
- Label: Ricercar
- Genre: Classical
- Quality: FLAC (cue+log+artwork)
- Total Time: 67:48
- Total Size: 324 MB
- WebSite: Album Preview
Tracklist:
Claudio Monteverdi (1567-1643)
01. Prologo: Su le penne de’ venti (08:55)
Muzio Effrem (c. 1555- after 1626)
02. Frа le rugiade eterne (02:03)
Alessandro Guivizzani (c. 1572-1632)
03. Alessandro Guivizzani: Da la fonte del core (02:08)
Muzio Effrem
04. Anime fortunate (02:19)
Salomone Rossi (1570-c. 1630)
05. Spazziam pront’ ò vecchiarelle (01:24)
Antonio Bertali (1605-1669)
06. Sonata 3 à 3 (Prothimia Suavissima, Leipzig, 1672) (07:19)
La Maddalena (Vienna 1663)
07. Prima parte: Sonata - Non piu di raggi adorno (02:25)
08. Prima parte: Vieni тh morte (02:02)
09. Prima parte: Sonata - D'occhi privi (02:03)
10. Prima parte: Lagrime amare (01:40)
11. Prima parte: La terra s'inondi - Si, si, moriamo (02:43)
12. Seconda parte: Sonata - Questa Maria (02:03)
13. Seconda parte: Ahi sospiri (01:04)
14. Seconda parte: Sonata - Oh Madre sconsolata (01:40)
15. Seconda parte: Ahi sospiri (00:57)
16. Seconda parte: Mio celato tesoro (01:59)
17. Seconda parte: Nel mondo, nel Cielo (01:29)
18. Terza parte: Sonata - Versate pur in liquidi torrenti (03:09)
19. Terza parte: Hora si che ben m'aveggio (01:38)
20. Terza parte: Non cosi ratto si strugge (00:32)
21. Terza parte: Sonatina - Scelerato se vissi (01:10)
22. Terza parte: Ben comprendo / Hora intendo (00:22)
23. Terza parte: Se peccaste infelici (00:39)
24. Terza parte: Nel bagno, ne l'onda (01:05)
25. Terza parte: Al lume gioconde (01:07)
26. Terza parte: Farfalletta semplicetta (00:45)
27. Terza parte: Cosi qui si pesca (00:58)
28. Terza parte: Speranze gradite (01:13)
29. Terza parte: Troppo folle (01:06)
30. Terza parte: Se nutri di speranza (02:58)
Domenico Mazzocchi (1592-1665)
31. Lagrime Amare (06:38)
Through the combination of sacred and profane that she embodies, the profoundly human personality of Mary Magdalene greatly inspired artists of the Baroque era, whether painters, poets or composers. It was in the sphere of influence of Italian oratorios, highly prized at the court of Vienna, that Antonio Bertali devoted a most moving sepolcro to her in 1663, a genre traditionally played during Holy Week. In 1617, in Mantua, it was in the form of theatrical interludes that she was honoured by court composers such as Salomone Rossi, Muzio Effrem and Claudio Monteverdi, who wrote the prologue for this other Maddalena.
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