Knifeworld - Bottled Out of Eden (2016)
BAND/ARTIST: Knifeworld
- Title: Bottled Out of Eden
- Year Of Release: 2016
- Label: InsideOut Music
- Genre: Progressive Rock, Psychedelic Rock
- Quality: 320 / FLAC
- Total Time: 49:27
- Total Size: 114 / 324 MB
- WebSite: Album Preview
Tracklist:
01 - High Aflame
02 - The Germ Inside
03 - I Am Lost
04 - The Deathless
05 - Foul Temple
06 - Vision of the Bent Path
07 - I Must Set Fire to Your Portrait
08 - Lowered Into Necromancy
09 - A Dream About a Dream
10 - Secret Words
11 - Feel the Sorcery
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01 - High Aflame
02 - The Germ Inside
03 - I Am Lost
04 - The Deathless
05 - Foul Temple
06 - Vision of the Bent Path
07 - I Must Set Fire to Your Portrait
08 - Lowered Into Necromancy
09 - A Dream About a Dream
10 - Secret Words
11 - Feel the Sorcery
Knifeworld’s Kavus Torabi has never been afraid to use the crawlspace between prog, psychedelia and full-blown, overt pop, only to fill it with the expansive, the melody-driven and the just plain quirky. The band’s third LP is no exception – imagine XTC collaborating with Captain Beefheart whilst slurping on a mojito or two, and you might get some idea.
Now an eight-piece, the band’s myriad instrumentation here is deliberately aligned to spontaneity; recorded in just nine days, there’s a fresh, snappy feel embedded across tracks such as High/Aflame and I Am Lost. Admirably, Knifeworld feel little compulsion to drown the audience under the weight of an octet’s musicianship.
Neither is this all up-tempo hijinx; both Foul Temple and Lowered into Necromancy offer reflective moments amidst the complex time signatures and rhythm section playfulness. The overreaching effect is one of pleasantly drifting through vogue and template, the subtle application of guitar, sax and keys adding to the mood.
Now an eight-piece, the band’s myriad instrumentation here is deliberately aligned to spontaneity; recorded in just nine days, there’s a fresh, snappy feel embedded across tracks such as High/Aflame and I Am Lost. Admirably, Knifeworld feel little compulsion to drown the audience under the weight of an octet’s musicianship.
Neither is this all up-tempo hijinx; both Foul Temple and Lowered into Necromancy offer reflective moments amidst the complex time signatures and rhythm section playfulness. The overreaching effect is one of pleasantly drifting through vogue and template, the subtle application of guitar, sax and keys adding to the mood.
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