Jake Schepps Quintet - Entwined (2015)
BAND/ARTIST: Jake Schepps Quintet
- Title: Entwined
- Year Of Release: 2015
- Label: Fine Mighty
- Genre: Classical, Bluegrass, Chamber Jazz
- Quality: 320 Kbps
- Total Time: 81:11 min
- Total Size: 189 MB
- WebSite: Album Preview
Tracklist:
01. Flatiron I: Tension Hoop (Mellits) 03:09
02. Flatiron II: Herringbone (Mellits) 02:20
03. Flatiron III: Purfling (Mellits) 03:53
04. Flatiron IV: F-Hole (Mellits) 00:59
05. Flatiron V: Mahogany (Mellits) 05:41
06. Flatiron VI: Virzi (Mellits) 02:25
07. Flatiron VII: Planetary Tuners (Mellits) 02:43
08. Flatiron VIII: Dreadnought (Mellits) 04:42
09. Drawn I: Flourish (McBane) 04:38
10. Drawn II: Interlude (McBane) 01:57
11. Drawn III: Entwined (McBane) 06:20
12. Drawn IV: Repose (McBane) 06:23
13. Drawn V: Ground (McBane) 04:12
14. Migrations: First Movement (Flinner) 05:52
15. Migrations: Second Movement (Flinner) 03:33
16. Migrations: Third Movement (Flinner) 06:26
17. Migrations: Fourth Movement (Flinner) 04:43
18. Stumble Smooth (Riley) 07:33
19. Porcupine Rim (Schepps) 03:42
01. Flatiron I: Tension Hoop (Mellits) 03:09
02. Flatiron II: Herringbone (Mellits) 02:20
03. Flatiron III: Purfling (Mellits) 03:53
04. Flatiron IV: F-Hole (Mellits) 00:59
05. Flatiron V: Mahogany (Mellits) 05:41
06. Flatiron VI: Virzi (Mellits) 02:25
07. Flatiron VII: Planetary Tuners (Mellits) 02:43
08. Flatiron VIII: Dreadnought (Mellits) 04:42
09. Drawn I: Flourish (McBane) 04:38
10. Drawn II: Interlude (McBane) 01:57
11. Drawn III: Entwined (McBane) 06:20
12. Drawn IV: Repose (McBane) 06:23
13. Drawn V: Ground (McBane) 04:12
14. Migrations: First Movement (Flinner) 05:52
15. Migrations: Second Movement (Flinner) 03:33
16. Migrations: Third Movement (Flinner) 06:26
17. Migrations: Fourth Movement (Flinner) 04:43
18. Stumble Smooth (Riley) 07:33
19. Porcupine Rim (Schepps) 03:42
The music on this album represents some of the first ever long-form works written by classical composers for the traditional 5-piece bluegrass string band, an ensemble that was minted when banjoist Earl Scruggs joined Bill Monroe and his Bluegrass Boys in 1945. By commissioning these pieces, I hope to offer a fresh perspective on this iconic instrumental combination, and a prismatic view into these four fascinating compositional worlds.
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