Fufanu - Few More Days To Go (2015)
BAND/ARTIST: Fufanu
- Title: Few More Days To Go
- Year Of Release: 2015
- Label: One Little Indian Records
- Genre: Indie Rock, Alternative
- Quality: 320 kbps
- Total Time: 49:09
- Total Size: 112 MB
- WebSite: Album Preview
Tracklist:
01. Now 06:07
02. Northern Gannet 05:16
03. Wire Skulls 05:24
04. Circus Life 07:04
05. Blinking 03:00
06. In the Light of the Night 05:01
07. Ballerina in the Rain 04:29
08. Plastic People 03:27
09. Your Collection 04:01
10. Goodbye 05:21
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01. Now 06:07
02. Northern Gannet 05:16
03. Wire Skulls 05:24
04. Circus Life 07:04
05. Blinking 03:00
06. In the Light of the Night 05:01
07. Ballerina in the Rain 04:29
08. Plastic People 03:27
09. Your Collection 04:01
10. Goodbye 05:21
Fufanu follow up their 'Adjust to the Light' EP with their full-length debut, 'Few More Days To Go'.
Formerly operating as techno/ electronic duo, Captain Fufanu, while Kaktus and Gulli were still in their teens, with the addition of live instrumentation - and the band name shortened to a more economical Fufanu ("the Captain was left behind at a rave in Cologne") - the pair began working up a dark, metronomic take on 70s and 80s European music. If clangorous metallic guitars and floor shaking syncopated bass are key key elements in the band's powerful circumspect post-punk, then the live show with it's MBV-like furnace blasts of volume is a game changer: The mordant wit suggested by song titles like Plastic People and live opener Goodbye can shift up into thrillingly cold malevolence, fronted by 'slyph-like' singer Kaktus Einarsson's magnetic stage presence.
Formerly operating as techno/ electronic duo, Captain Fufanu, while Kaktus and Gulli were still in their teens, with the addition of live instrumentation - and the band name shortened to a more economical Fufanu ("the Captain was left behind at a rave in Cologne") - the pair began working up a dark, metronomic take on 70s and 80s European music. If clangorous metallic guitars and floor shaking syncopated bass are key key elements in the band's powerful circumspect post-punk, then the live show with it's MBV-like furnace blasts of volume is a game changer: The mordant wit suggested by song titles like Plastic People and live opener Goodbye can shift up into thrillingly cold malevolence, fronted by 'slyph-like' singer Kaktus Einarsson's magnetic stage presence.
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Music | Rock | Alternative | Indie
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