The Amazing - Gentle Stream (2011)
BAND/ARTIST:
Artist: The Amazing
Title Of Album: Gentle Stream
Year Of Release: 2011
Label: Subliminal Sounds
Genre: Psychedelic Rock, Folk, Indie Rock
Quality: Mp3
Bitrate: 320 kbps
Total Time: 00:48:02
Total Size: 126 Mb
WebSite:
Tracklist:
01. The Amazing - Gentle Stream (07:00)
02. The Amazing - Flashlight (04:57)
03. The Amazing - International Hair (06:08)
04. The Amazing - The Fog (04:30)
05. The Amazing - Gone (06:13)
06. The Amazing - Dogs (06:38)
07. The Amazing - Assumptions (02:09)
08. The Amazing - When The Colours Change (06:03)
09. The Amazing - Ghosts (Bonus Track) (04:24)
The second full album by the Amazing finds the onetime side project settling further into its own existence, as the Swedish band embraces a wide temporal range of sonic touchstones revolving around the idea of lush delicacy. The title track starts the album with a sweet glaze of acoustic and electric guitars that sounds like the kind of '90s bands that loved the Cocteau Twins a little more in their later phase. It's a bit shoegaze but never heavily so, keyboards adding a bit of extra bliss and zone while the drums act as a bit of a secret punch. The singing seeps sweetly through like a bit of Richard Ashcroft goes a-ha -- and definitely not as dramatic as the former, in this case thankfully. With that, Gentle Stream feels like its title, a series of songs that are carefully arranged and performed but feel in listening like a meander down the titular object. It's a breezy, sometimes melancholy, but never dour listen, as songs like "International Hair" and "When the Colours Change" show, while without ever going full-on hero rock, a song like "Gone" fires up in context just enough. The nice sax part on "Flashlight" adds some moody grooves to the gently swinging number -- there's definitely a bit of Nick Drake at work throughout in the vocals and overall feeling, which starts coming to the fore more as the album continues -- while "Dogs" feels more like a stately classic rock number in its descending verses, at least a bit. The album as a whole clearly values the arrangements and overall instrumental performances perhaps even more than the singing, with numerous extended codas and breaks where the performers stretch out to the full.
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