Lincoln St. Exit - Drive It [Remastered & Expanded] (2010)
BAND/ARTIST:
Artist: Lincoln St. Exit
Title Of Album: Drive It
Year Of Release: 2010 [1970]
Label: Flawed Gems
Genre: Rock, Psychedelic Rock
Quality: Mp3
Bitrate: CBR 320 kbps
Time: 1:19:59
Full Size: 216 mb
WebSite:
Make no mistake about this album, it is loud, heavy, alive and ready. Lincoln St. Exit was formed in June of 1964. Since then they lost one of their musicians, Paul Chapman(who died). The three original members, Michael Martin, Mac Suazo and Lee Herres, still remain with the group. Their music is influenced greatly by the American Indian culture of New Mexico.
This is evident in the hard-driving beat and hypnotic rhythm pattern that is maintained throughout the album. Their own personal feelings and the many hard times they have encountered along the way all come through in their music. As co-writer on some of the material, our view of the war is expressed in the two compositions "Man Machine" arid "Time Has Come Gonna Die".
We move from such gospel-orientated tunes as "Going Back Home" and "Soulful Drifter" to the down home sound of "Teacher Teacher" and "Dirty Mother Blues", the latter being so heavy it shakes all of your \ital organs Our snnga also deal with modern sexual mores, as in "Straight Shootin1 Man", "Got You Babe" and "Phantom Child". Lincoln St. Exit have been together for over six years, and they're going to make it.
God Bless The Exit.
As told to Mark Janowski by Tommy Bee
This is my cup of tea, one of my desert island records. Dirty, rough, Garage, Psych, Roots 'n' Roll, Folk, well it's everything abount Rock 'n' Roll in a magic cauldron, just give a spin and let yourself to enjoy a trip far and beyond...
Lincoln St. Exit were Albuquerque, New Mexico’s premiere garage/ psych band of the late 60′s, early 70′s. In early 1969 Lincoln St. Exit, Mike Martinez, Mac Suazo, RC Gariss and Lee Herrerra recorded in Clovis New Mexico at the Norman Petty Studios and the song "Soulful Drufter" emerged from the "Drive It" Album. The album was distributed by Mainstream Records.
Artists like Janis Joplin (Pre Columbia Records) and Amboy Dukes (Ted Nugent’s group) recorded for the label at the same time. Soulful Drifter gained radio station play and Exit had a hit record along the Great Lakes Area. The airplay was enough to catch the ear of Motown records in Detroit.
At that time Motown was looking to increase it’s catalog of new artists on their new Rare Earth label and Exit filled the need. Motown liked the group, a new sound, a new look and a new direction was needed. So the idea was that they would return to their roots and create. A new sound in music was born “American Indian Rock”. Under the management of Tom Bee the new sound emerged and the new Xit name was born. The acronym was XIT for Xing of Indian Tribes came about because of some of the group’s ethnic background.
The first album for Motown was “Plight of the Redman” released in 1971. It’s a history lesson from the beginning to end sung by member Mike Martinez and tells the story from the beginning of peace in the New World to their struggles with the white man in America and finally to the climatic end of the narrative speech by Mac Suazo.
XIT played many venues including the Whiskey A Go-Go in Hollywood and in 1972 the 8th International Music Festival in Venice Italy. This festival was broadcasted to over 30 million people throughout Europe, along with countless concerts in cities and reservations across the United States and Canada.
This is evident in the hard-driving beat and hypnotic rhythm pattern that is maintained throughout the album. Their own personal feelings and the many hard times they have encountered along the way all come through in their music. As co-writer on some of the material, our view of the war is expressed in the two compositions "Man Machine" arid "Time Has Come Gonna Die".
We move from such gospel-orientated tunes as "Going Back Home" and "Soulful Drifter" to the down home sound of "Teacher Teacher" and "Dirty Mother Blues", the latter being so heavy it shakes all of your \ital organs Our snnga also deal with modern sexual mores, as in "Straight Shootin1 Man", "Got You Babe" and "Phantom Child". Lincoln St. Exit have been together for over six years, and they're going to make it.
God Bless The Exit.
As told to Mark Janowski by Tommy Bee
This is my cup of tea, one of my desert island records. Dirty, rough, Garage, Psych, Roots 'n' Roll, Folk, well it's everything abount Rock 'n' Roll in a magic cauldron, just give a spin and let yourself to enjoy a trip far and beyond...
Lincoln St. Exit were Albuquerque, New Mexico’s premiere garage/ psych band of the late 60′s, early 70′s. In early 1969 Lincoln St. Exit, Mike Martinez, Mac Suazo, RC Gariss and Lee Herrerra recorded in Clovis New Mexico at the Norman Petty Studios and the song "Soulful Drufter" emerged from the "Drive It" Album. The album was distributed by Mainstream Records.
Artists like Janis Joplin (Pre Columbia Records) and Amboy Dukes (Ted Nugent’s group) recorded for the label at the same time. Soulful Drifter gained radio station play and Exit had a hit record along the Great Lakes Area. The airplay was enough to catch the ear of Motown records in Detroit.
At that time Motown was looking to increase it’s catalog of new artists on their new Rare Earth label and Exit filled the need. Motown liked the group, a new sound, a new look and a new direction was needed. So the idea was that they would return to their roots and create. A new sound in music was born “American Indian Rock”. Under the management of Tom Bee the new sound emerged and the new Xit name was born. The acronym was XIT for Xing of Indian Tribes came about because of some of the group’s ethnic background.
The first album for Motown was “Plight of the Redman” released in 1971. It’s a history lesson from the beginning to end sung by member Mike Martinez and tells the story from the beginning of peace in the New World to their struggles with the white man in America and finally to the climatic end of the narrative speech by Mac Suazo.
XIT played many venues including the Whiskey A Go-Go in Hollywood and in 1972 the 8th International Music Festival in Venice Italy. This festival was broadcasted to over 30 million people throughout Europe, along with countless concerts in cities and reservations across the United States and Canada.
TRACKLIST:
1. Man Machine - 4:02
2. Dirty Mother Blues - 6:55
3. Got You Babe - 3:06
4. Teacher Teacher - 2:45
5. Soulful Drifter - 2:00
6. Time Has Come Gonna Die - 4:06
7. Going Back Home - 3:03
8. Straight Shootin' Man - 3:00
9. Phantom Child - 3:14
10.The Bummer - 2:22
11.Sunny Sunday Dream - 2:58
12.St. Louis Mama (B-Side 1968) - 2:35
13.Whatever Happened To Baby Jesus (Parts 1 & 2 1968 Single) (Bonus Track) - 6:18
14.The Bummer (A-Side 1967) - 2:23
15.Sunny Sunday Dream (B-Side 1967) - 3:33
16.Who's Been Driving My Little Yellow Taxi Cab (A-Side 1966) - 2:16
17.Paper Lace (B-Side 1966) - 2:20
18.Half A Man (Bonus Track) - 3:00
19.She's Upon Her Way (Bonus Track) - 2:49
20.Open Doorway (Bonus Track) - 2:45
21.Orange Benevolent (Bonus Track) - 2:45
22.Forever Or Not At All (Bonus Track) - 3:48
23.Yellow Man Of Paris - 2:40
24.She's My Everything (Bonus Track) - 3:05
Lincoln St. Exit
Michael Martin - Lead Vocals, Lead Guitar
Mac Suazo - Heavy Bass Guitar
Lee Herres - Drums And Percussion
R. C. Gariss - Second Lead Guitar
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