Plácido Domingo - Domingo at The Met (Anniversary Edition) (2014)
BAND/ARTIST:
Artist: Plácido Domingo
Title Of Album: Domingo at The Met
Year Of Release: 2014
Label: Sony Classical
Genre: Classical, Opera
Quality: 320 / FLAC
Total Time: 231:55 min
Total Size: 531 / 946 MB
Tracklist:
Disc 1:
1. Simon Boccanegra - O inferno! ... Sento avvampar nell'anima
2. Rigoletto - La donna è mobile
3. Otello - Niun mi tema
4. Don Carlo - Fontainebleau! Foresta immensa e solitaria! ... Io la vidi
5. Luisa Miller: Oh! fede negar potessi ... Quando le sere al placido
6. La Traviata - Lunge da lei … De' miei bollenti spiriti ... O mio rimorso, infamia!
7. La Traviata - Di Provenza il mar, il suol
8. Un Ballo in Maschera - Di' tu se fedele
9. Un Ballo in Maschera - Forse la soglia attinse … Ma se m'è forza perdeti
10. Rigoletto - Questa o quella
11. Stiffelio - Vidi dovunque gemere … Ah v'appare in fronte scritto
12. Aida - Se quel guerrier io fossi! … Celeste Aida
13. La Forza del Destino - La vita è inferno all'infelice … O tu che in seno agli angeli
14. Simon Boccanegra - Plebe! Patrizi! Popolo dalla feroce storia
15. Il Trovatore - Ah! Sì, ben mio, coll'essere … L'onda de 'suoni mistic ... Di quella pira
Disc 2:
1. Turandot - Nessun dorma
2. Andrea Chénier - Cittadino, men duol ... Come un bel dì di maggio
3. Pagliacci - Recitar! … Vesti la giubba
4. La Fanciulla del West - Risparmiate lo scherno … Ch'ella mi creda
5. La Gioconda - Cielo e mar
6. La Bohème - Marcello. Finalmente!
7. Cavalleria Rusticana - Compar Alfio … Mamma, quel vino è generoso
8. Manon Lescaut - Cortese damigella … Donna non vidi mai
9. Norma - Svanir le voci … Meco all'altar di Venere … Me protegge, me difende
10. Sly - Un orso in musoliera
11. Francesca da Rimini - Inghirlandata di violette m'appariste ieri
12. Il Tabarro - Hai ben ragione! Meglio non pensare
13. Fedora - La fante mi svela l"immondo ritrovo … Vedi io piango
14. Tosca - Dammi I colori! … Recondita armonia
15. Tosca - E lucevan le stele
Disc 3:
1. Les Contes d'Hoffmann - Va pour Kleinzach! … Il ètait une fois à la cour d'Eisenach
2. Faust - Quel trouble inconnu me penetre? ... Salut! demeure chaste et pure
3. Iphigénie en Tauride - Quel silence effrayant! — Dieux, qui me poursuivez
4. Samson et Dalila - Vois ma misère, hélas
5. Carmen - La fleur que tu m'avais jetee
6. Werther - Pourquoi me réveiller
7. Les Troyens - Inutiles regrets! … Ah! Quand viendra l'instant
8. The Queen of Spades - Prosti, prelestnoe sozdanye
9. The First Emperor - The Shadow that haunts me wherever I go
10. Parsifal - Amfortas! Die Wunde!
11. Die Walküre - Ein Schwert verheiss mir der Vater
12. Lohengrin - In fernem Land ... Mir schwankt der Boden!
Sony Classical is proud to announce the release of Domingo at the MET, a 3-CD anniversary set with many previously unreleased live recordings celebrating Plácido Domingo’s 45th season at the Metropolitan Opera.
About Domingo at the MET
There have been many legendary tenors who have performed at the Met over its 130-year history. From Jean de Reszke in the late 1800s to Enrico Caruso in the early 1900s, from Corelli, Vickers, and McCracken in the 1960s to Luciano Pavarotti, who rose to prominence in the 1970s, the Met has been home to a remarkable array of tenors. But no other tenor in Met history has enjoyed a career of such astounding breadth, longevity, and musical and dramatic excellence, as Plácido Domingo.
Forty-five years ago, Plácido appeared on the Met stage for the first time, stepping in to replace an ailing Franco Corelli as Maurizio in Adriana Lecouvreur and announcing his arrival as a major new talent. Today, he’s still performing on our stage, having triumphed last season in the baritone role of Germont in La Traviata, and this year reprising his acclaimed turn as Neptune in the Met’s Baroque pastiche The Enchanted Island—one of his astounding 143 roles, of which he’s sung 48 at the Met. I can’t think of any other artist in the history of opera who would be capable of accomplishing such a feat.
Somehow, in the midst of learning new operas and performing, Plácido also finds time to run the Los Angeles Opera and to conduct all over the world. For 45 years at the Met, Plácido has been one of opera’s greatest forces. We’re proud and thankful for all of the invaluable contributions he has made to the life of our company, and we congratulate him on this stunning new collection.
Peter Gelb
About Domingo at the MET
There have been many legendary tenors who have performed at the Met over its 130-year history. From Jean de Reszke in the late 1800s to Enrico Caruso in the early 1900s, from Corelli, Vickers, and McCracken in the 1960s to Luciano Pavarotti, who rose to prominence in the 1970s, the Met has been home to a remarkable array of tenors. But no other tenor in Met history has enjoyed a career of such astounding breadth, longevity, and musical and dramatic excellence, as Plácido Domingo.
Forty-five years ago, Plácido appeared on the Met stage for the first time, stepping in to replace an ailing Franco Corelli as Maurizio in Adriana Lecouvreur and announcing his arrival as a major new talent. Today, he’s still performing on our stage, having triumphed last season in the baritone role of Germont in La Traviata, and this year reprising his acclaimed turn as Neptune in the Met’s Baroque pastiche The Enchanted Island—one of his astounding 143 roles, of which he’s sung 48 at the Met. I can’t think of any other artist in the history of opera who would be capable of accomplishing such a feat.
Somehow, in the midst of learning new operas and performing, Plácido also finds time to run the Los Angeles Opera and to conduct all over the world. For 45 years at the Met, Plácido has been one of opera’s greatest forces. We’re proud and thankful for all of the invaluable contributions he has made to the life of our company, and we congratulate him on this stunning new collection.
Peter Gelb
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