Masato Suzuki, Masaaki Suzuki & Bach Collegium Japan - J.S. Bach Concertos for Two Harpsichords (2014) Lossless
BAND/ARTIST:
Artist: Masato Suzuki, Masaaki Suzuki & Bach Collegium Japan
Title Of Album: J.S. Bach Concertos for Two Harpsichords
Year Of Release: 2014
Label: BIS
Genre: Classical
Quality: FLAC
Total Time: 71:01 min
Total Size: 446 MB
Tracklist:
Johann Sebastian Bach
Concerto in C minor, BWV1062
1. I. 3'32
2. II. Andante e piano 5'54
3. III. Allegro assai 4'22
Concerto in C major, BWV1061
4. I. 7'21
5. II. Adagio ovvero Largo 4'55
6. III. Fuga. Vivace 5'59
Orchestral Suite No.1 in C major, BWV1066
arranged for two harpsichords by Masato Suzuki
7. I. Ouverture 9'59
8. II. Courante 2'24
9. III. Gavotte I/II 2'44
10. IV. Forlane 1'17
11. V. Menuet I/II 2'42
12. VI. Bourrée I/II 2'14
13. VII. Passepied I/II 2'46
Concerto in C minor, BWV1060
14. I. Allegro 4'47
15. II. Largo ovvero Adagio 5'02
16. III. Allegro 3'29
Masaaki Suzuki, harpsichord
Masato Suzuki, harpsichord
Bach Collegium Japan, orchestra
Concertos for Two Harpsichords
Orchestral music in Bach’s time usually took the form of either concertos or overture suites. Respectively manifesting the two main national styles of the day – Italian and French – these were lavish pieces suitable for showcasing musicians eager to demonstrate their skills. They also provided every Capell - meister with an opportunity to prove his abilities. By taking into account all the available instrumental colours and the technical brilliance of his star players, and by using all his knowledge of the latest musical fashion prac tised abroad, he could display the quality of his musical craft, revealing both his inven - tiveness and refined tastes.
Orchestral music in Bach’s time usually took the form of either concertos or overture suites. Respectively manifesting the two main national styles of the day – Italian and French – these were lavish pieces suitable for showcasing musicians eager to demonstrate their skills. They also provided every Capell - meister with an opportunity to prove his abilities. By taking into account all the available instrumental colours and the technical brilliance of his star players, and by using all his knowledge of the latest musical fashion prac tised abroad, he could display the quality of his musical craft, revealing both his inven - tiveness and refined tastes.
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