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Philip Edward Fisher, Julia Sakharova, Brandon Patrick George and Anne Lanzilotti - Hickey: Cursive - Piano and Chamber Works (2014)

BAND/ARTIST:


Artist: Philip Edward Fisher, Julia Sakharova, Brandon Patrick George and Anne Lanzilotti
Title Of Album: Hickey: Cursive - Piano and Chamber Works
Year Of Release: 2014
Label: Delos
Genre: Classical
Quality: 320 / FLAC
Total Time: 63:23 min
Total Size: 146 / 206 MB

Tracklist:

1. Philip Edward Fisher – Cursive (11:00)
2. Julia Sakharova & Philip Edward Fisher – Ampersand (09:15)
3. Philip Edward Fisher – Dolmen (05:16)
4. Philip Edward Fisher – I. — (04:33)
5. Philip Edward Fisher – II. — (06:30)
6. Philip Edward Fisher – III. — (08:06)
7. Brandon Patrick George, Anne Lanzilotti & Meredith Clark – Pied a Terre (07:29)
8. Philip Edward Fisher – Reckoning (02:17)
9. Philip Edward Fisher – Hill Music: A Breton Ramble (06:04)
10. Philip Edward Fisher – Birds of Barclay Street (02:53)

Sean Hickey, Brooklyn-based and born in Detroit, is one of the most performed and celebrated composers working today. After his charting releases on Naxos (Left at the Fork in the Road) and Delos (Concertos), he returns with a new Delos disc featuring piano and chamber works. Centered on the incredible artistry of Philip Edward Fisher and recorded at the Princeton Theological Seminary, the disc comprises much of the composer's work for solo piano, also including Ampersand, for violin and piano, and Pied-a-terre, for flute, viola and harp.


'...behind this scaffolding is a very personal artistic response to the huge breadth of music that was created in the 20th century when every tradition was challenged. In its reconciliation of these seeming polarities, it is very much music of our own time'. - NewMusicBox


'American composer Sean Hickey comes out swinging with this new recording'. - The Scene


'Every piece is nearly flawless, exciting, and played with tremendous passion. - American Record Guide


'This is music that has everything going for it - melodic, heroic solo parts, symphonic breadth, dynamic form and a sort of post-romantic dash.' - Gapplegate Reviews




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